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Taking into account that the film was thought lost for years and that the copy belonging to Filmoteka Narodowa (National Film Archive) is probably the only one still existing, we believe that by using the newest digital technology we have restored a work from almost a hundred years ago.

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This in short is how the painstaking process of digital reconstruction of the movie Mania looked. So, after a long process (digitalisation, reconstruction, density and colour correction) the movie is subject to cutting edge 4K+ laser technology, which puts every frame back on the tape. The picture considered the template, containing both the negative and positive of the movie, returns on the tape - this time non-flammable.

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After being digitally secured on storage devices meant for use in cinemas, TV and Internet, a separate copy in DPX format is made for archive storage. The Phoenix suite of products offers world class restoration tools for the most demanding jobs. As a result, we obtain a digital copy on popular data storage devices, such as Betacam digital, HDCAM, HDCAM SR and a copy for digital movies, so called 'DCP' (Digital Cinema Package). This is done with DI (Digital Intermediate) technology, involving processing of the picture through digital methods. The 87 000 frames of Mania were recorded in DPX (Digital Picture Exchange) format before being sent for reconstruction, montage, conforming and colour correction.įinally, the 'closing process' takes place - a template copy of the movie is created. Every scanned frame of the movie was treated as a separate photo. Working on such specialist equipment - the first of its kind in Poland and one of three in the world - makes us feel like pioneers in the modern technology of digitalising damaged movie tapes. The method involves covering the tape with immersive liquid, which spreads across both sides, reducing light refraction at the meeting point of the liquid and the (emulsion) surface of the scanner as the tape is moved through the machine, which makes tiny imperfections invisible.

Then we test whether the tape is suitable for 'wet scanning'. After 30 days, the program will no longer work, unless you purchase a license and activate it. During the 30 days trial period, you have all the functionality of the installed edition. We usually begin by 'dry scanning' the tape, avoiding any damage to its delicate structure. Backup4all can be used for up to 30 days for FREE, with all features enabled. In general, there are two ways of scanning film tapes: 'dry' and 'wet'.

Then the tape was divided into segments and scanned with a specialist scanner designed specifically for old movie tapes. We mechanically removed all dirt from the tape. Diamant Software Film Restoration Suite Free Download Posted on by admin With the DIAMANT-Film Restoration Software you can handle almost any kind of film defect Single frame defects like dust, dirt, blotches, mold, bacteria, hairs, scratches.

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Before it could be scanned, we conducted a manual reconstruction - we disconnected all the connections where possible, we also restored the perforations. The first stage of reconstruction consisted in restoring the tape.